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Newsarama Interview on Eltingville, Beasts of Burden

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I spoke to Chris Arrant at Newsarama about wrapping up The Eltingville Club, how my tendency towards clutter affects the scripts for Beasts of Burden and other topics that don't exactly shake the heavens of North American pop culture (of course, as you may well remember, I'm huge in the tiny Republic of Togoland). You can read the interview here if you wish to. Go, go on, it's not very long, I'll wait here until you come back.

FYI -- one of my answers didn't make it in so the interview carries a mistake, Eltingville wasn't created while Iw as working at Jim Hanley's Universe and wasn't based on my woeking in comic shops. Here's the stuff that was dropped, possibly in the middle of follow-ups and clarifications we were doing:

"The idea for Eltingville actually came out of a phone conversation I had with my then-publisher, Dan Vado. Dan was writing for DC Comics at the time and was getting a lot of crazy fan hate mail and death threats and bullshit because he killed off a character in a Justice League story. Some of the mail was incredibly vicious and all of it was incredibly stupid, I mean, we're talking about people losing their shit over fake, not-real, make-believe fictional characters, corporate intellectual property, concepts that never actually go away or "die" because if they really disappeared for good the company loses the rights, and they'll never let that happen. This is what some people write death threats and hate rants about, about nothing that really means anything in the long run because the characters always come back -- and then these ding-dongs go crazy that they changed their costume or skin color or something else that doesn't or shouldn't matter. Anyway, that's where Eltingville came from. Hatred of bad fandom, filled in with my own experiences as a fan, retailer and comic book making loser. And Twiki jokes."

Speaking of Beasts of Burden, which I was just doing with my manager -- who many of you may remember is a stuffed owl -- the first new issue in quite some time drops tomorrow at comic book shops that decided to order it. I guess it'll be available digitally this week or next week or this Spring for those who are shit out of luck, LCS-wise.

I'll be appearing at my local stomping grounds (I really do stomp there, stomping is such jolly good fun, eh,wot?), Comic Book Jones, signing copies of Hunters and Gatherers from 3 -6, possibly longer, possibly until closing, and then I may possibly be doing the CBJ podcast that evening and eating White Castle "hamburgers" and regretting everything I ever did up to that point. Hey, CBJ's got a %30 off all back issues sale going this month, there's always that. And free coffee. I don't drink that, it's bad for you, unlike White Castle "hamburgers".

See you, very likely wish I could be you.

Edited to add: I didn't realize cutting and pasting the interview segment meant there'd be a big dumb-looking white space around the text. I hope all of you left who still follow this blog will excuse my computer dumbness and the ugly, dumb-looking white space around the text. I'd try to fix it, or ask Sarah to help me, and my fucking OCD is screaming at me to re-type it so it will all look clean and be better and not look as dumb, but I want to eat dinner, instead.  This is an ugly, nothing-looking POS blog, anyway, so, I should just pretend it's supposed to be some rough-looking crap that's taking a stance against slick BS. Bleagh.

Murder Your Ears, Burn Your Brain: Comic Book Jones Podcast Ep #70

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After the Beasts of Burden: Hunters and Gatherers signing at Comic Book Jones this past Wednesday, I sat down with the cast and crew for their weekly podcast recording, which has just been posted. This podcast is not safe for work, maybe not safe for rational-minded human beings, no one was on their best behavior as far as I can recall, and it's a long one. Just so you know.

Listen -- if you dare -- to WCBJ episode 70, "We Don't Have Room For Gamera"...here.

P.S. My thanks to all the Jones Clan members, the HOF Faithful and the just-plain-curious who came to the signing on Wednesday. The store was already humming because it was Wednesday but I signed a few dozen books and did some drawings and had a great time talking with folks -- especially Anthony (aka "Marvel" Jones), one of the sweetest kids and comic fans I have ever met. I drew a zombie Daredevil for him and he promised to draw me a zombie Power Man, which I will hold him to. What a great kid.

P.P.S. The signing went really, really well, we went over six hours before rolling into recording the over two-hour podcast. If all goes well I'll be back at Comic Book Jones to sign copies of The Eltingville Club #1 next month, on April 23rd. More on that asap, hopefully.

The Nightmare Almost Realized: The Eltingville Club Complete HC Collection

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Twenty years after I vomited up the first Eltingville Club strip in a no-talent fit of anger the entire bloody mess is poised to be collected by Dark Horse this October in an over-sized hardcover matching the Milk and Cheese and Beasts of Burden books. There's never been a domestic collection of this material before, so, hey, that's something, I guess. $20 bucks for the works, including three Eisner Award-winning train wrecks of fandom gone wild, the color zombie crawl strip from DHP/HOF, the one-off alternative/indy Northwest Comix Collective piss-take, some notes about the 2002 Welcome to Eltingville Adult Swim pilot, and  -- if things work out -- some production and storyboard art done for the pilot by me and Stephen DeStefano. So, there's that.

Eltingville HC cover jpg

Cover by me and Sarah Dyer.

HOF Art Auctions Now Up on eBay

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We have some original pages and illustrations up on eBay as part of what will likely be a prolonged attempt to sell off a bunch of our stuff to help raise some money while 2014 kicks us around some more. The first offerings include a M&C page, a page of FUn Strips, a Yo Gabba Gabba Comic Time page, some Mad illos, etc.

You can see the auctions listings here.

We're going to be also unloading some collectibles and stuff as well as more art in the near future.

Asbury Park Comic Con - April 12th & 13th

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We'll be appearing at the Asbury Park Comic Con next month at the Berkeley Oceanfront Hotel in Asbury Park, N.J. The show has expanded to two days and has a larger guest list this year, I assume that will mean more exhibitors (they'll be posting exhibitors soon, I believe). It's a really fun show, all about comics, sort of a cross between Heroes and SPX. Sort of. Whatever.

The guest list mixes old and new, mainstream, new mainstream, not-so-mainstream, alt/indy, etc. Here's a sampling: Peter Bagge, Chris Claremont, JH WIlliams III, Ann Nocenti, Don McGregor, Greg Benton, Stephanie Buscema, Jim Steranko, Bob Fingerman, Cliff Chiang, Box Brown, Mark Schlutz, Bob Camp, Jay Lynch,...it's that sort of crazy mix of people. You get underground cartoonists, mainstream creators, silver Age veterans, indy/alternative heroes and upcomers and a cosplay competition. Crazy.

There will also be panels and...after checking the page it appears the panel that Sarah and I were asked to be on has been dropped. Which is a-okay with me. I talk enough already without being asked to.

Anyway, the show has a great vibe and Asbury Park has good food on and around the boardwalk and the awesome Silver Ball Pinball Museum arcade is there. Kathleen Hanna's band The Julie Ruin is playing Asbury Lanes on the 12th (and there's probably other local shows going on, I assume), so there's a lot of reasons to take the trip out and do the funnybook show thing at Asbury in a few weeks.

We'll be hauling books and art and whatever odds and ends we can find so we can attempt to trade them to people for money. I wish The Eltingville Club #1 was going to be out (April 23rd), but we will have copies of the new Beasts of Burden: Hunters and Gatherers one-shot (FYI: House of Fun and Beasts of Burden: Neighborhood Watch are out of print and gone, so we won't have those at the table anymore. Someday, they will be collected. Yes. Someday.)

Hope to see some of you folks in Asbury Park next month.

Hopefully it won't snow.

asbury

Eltingville Club #2: Train Wreck in Progress

That Time I Almost Wrote a Popeye Vs. Mars Attacks Comic

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Originally posted to my Tumblr, figured I'd drop it in here for those who only follow me on the LJ:

Weird day in a freelancer’s life: A little while back I got a call from IDW about a project that I didn’t think I’d have any ideas for, let alone any desire to write — Popeye Vs Mars Attacks (!@$&!!???). Now, okay, I love Segar’s Popeye like nobody’s business, and the Mars Attacks cards are crazy fun, but, c’mon, WTF, right? ‘Ja think I’m a Dr Frankenstein? Let’s show a little dignity, some common sense, let’s not go license crazy now, this way lies madness, etc.

Anyway, I turn it down, tell Sarah about it, we laugh, we agree comics is crazy, and I go take a shower. An hour later, I send IDW a pitch. Because comics people are as nuts as comics. And, hey, IDW digs it, we set up a rate and a schedule, and I’ve got a crazy gig, and then, hey, whuh-oh — for reasons I won’t go into in any real detail on — within a few more hours I’m out of the gig. I went from offer-to-pitch-to-acceptance-to-hired-to-gone in about seven hours, a new one in my book. I had and have no hard feelings with IDW over it, it wasn’t a situation they brought about, there was something in the equation that tossed a monkey wrench into the works as far as my participation went, and it was my choice to drop out. Crazy. Anyway, here’s the pitch letter I had sent IDW— nothing genius, but not a terrible approach for a headscratcher of a premise, imho:

I took a shower and, as always seems to happen in these situations, I had ideas for something I thought I had no ideas for. So I guess here’s a rough pitch, or at least a batch of thoughts churned up:

Popeye doesn’t believe in Martians, so the invasion prompts a Well, Blow Me Down response as saucers loom over town in a big panel. Base a bunch of panels/bits on the cards, include any martian machines/bugs/monsters that might work, but concentrate on the aliens/soldiers. Popeye barely reacts to the invasion beyond it being an alienistikal nuisance/bunch of thugs needing whipping. Everyone else would be up in arms. Roughhouse’s diner is burned and the stink permeates town like the black death cloud in War of the Worlds. Castor Oyl tries to profit off the invasion fears by selling people anti death ray outfits (sacks), ointments and masks, etc. Maybe a page or two done as “daily strips” with punchlines to break things up and add a little something to the mix. Popeye proves to be impossible to kill and a stubborn destructive force but the Marian forces are too big, the elongated affair  gets settled with a boxing match between Popeye and a huge, mutant multi-armed Martian. The match lasts days, highlights told through trading card-style panels, describing the back and forth punch-em-up the way the Mars Attacks cards describe the invasion/counter-attack. Maybe the Martians cheat and the Jeep or somebody lends a hand. Ultimately, Martians sent packing.

Need some business for Wimpy, Olive Oyl, etc, if possible. Maybe Wimpy is a traitor/collaborator for a while, need to re-read the strips to see how he behaves in similar situations. I think there’s a sceintist character in the strip, we could use him like one of those 50’s-scientist types who babbles about the menace, and is of no use whatsoever. But mostly a Popeye vehicle, one of those situations where he’s half dead half the time and just keeps going as the obstacles pile up and get crazier. Again, this is off the cuff stuff, but as a one-shot with these weird parameters I think it kind of needs to be fairly straightforward, boom boom boom (with jokes).

Fun fact: A fantasy project I used to carry around in my head for some time was to do Popeye comic with Stephen DeStefano. I’d get dumped off that one, too, if it ever happened. Arf arf arf.

Proceed At Your Own Risk

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Two interviews with me, because you need more of me talking and typing, right? Well, at least these two aren't the same old talkfest you're used to. They're different kinds of talkfests. Enjoy, if you must.

First, Comic Book Resources' Jonah Weiland  interviewed me at the last NYCC on camera and this is the record of that NSFW car wreck.

Secondly, there's a 10-question interview with me up at The Comics Tavern.

Your move.

Asbury Park Comic Con This Weekend

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We'll be at the show this weekend, signing whatever, sketching whatever, selling whatever. Hope to see some of the H.O.F. faithful there, or meet some potential new readers.

Here's a drawing we hope to unload at the show:

Zombie Cap color

Out Next Week

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CAM01153

26 b&w pages chock full of fanboy comedy and tragedy. Available April 23rd at the relatively few comic shops that ordered it.

If all goes according to plan I'll be doing a signing at Comic Book Jones for the debut. 

Eltingville Club Signing this Wednesday, April 23rd, at Comic Book Jones

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I'll be signing copies of The Eltingville Club #1 next Wednesday at Comic Book Jones from 3 p.m to closing. We'll also have copies of the recently released Beasts of Burden: Hunters and Gatherers, and some of my other comics and collections. As usual I'll be doing freebie sketches for anyone who asks. For more information here's the CBJ newsletter about the signing.

If you're in the Staten Island, NY area and have any interest, we hope to see you there. As for the rest of you out there in funnybook land, I hope you're able to get a copy of the beginning of the end of The Eltingville Comic Book, Science Fiction, Fantasy, Horror and Role-Playing Club when it hits the racks on Wednesday.

And of course, I hope you enjoy the book.

Eltingville #1

April eBay Art Auctions

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We have a batch of pin-ups and sketchcards up for auction on eBay, you can view the listings here to bid or just browse. Looks like we're looking at car repairs among other money-chewing expenses, so, hopefully we can move a few things left over from the recent Asbury Park Con.

Batman sketch

This and That

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I had a swell time at yesterday's signing at Comic Book Jones -- I wasn't expecting to be doing much after appearing there just last month for the latest Beasts of Burden one-shot, but it turned out to be a busy six hours. I signed a lot of copies of Eltingville Club #1, a few Beasts issues and a couple of hardcovers. Sketched for some folks and will finish some the drawings I couldn't get to when I do another signing at CBJ on May 3rd as part of their Free Comic Book Day event.

Speaking of Eltingville, there's a short (but more serious than usual) interview with me about the comic at the Rhymes With Geek site.

If you picked up a copy Eltingville, you have my thanks, and I hope you enjoyed the misery-fest.

Issue #2 is running late and won't ship next month due to my streak of various minor illnesses and injuries, made worse by hitches, false starts and overall slowness. It's back under construction and I'm hoping to rope it in before too long.

Bleagh.

CAM01153

 

M&C Art/Stan Sakai CAPS Fundraiser

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I have a donated piece up for auction as part of the ongoing CAPS fundraiser benefiting Stan Sakai's family.

You can view the listing here, see the other current listings here, and read more about the fundraiser/fundraising efforts here and here.

If you've been interested in getting a M&C pin-up, this one is over-sized, would pop out nicely framed on a wall, and the money goes to a good cause, helping out some super-nice folks in the comics industry who are dealing with some a tough situation.

Thanks.

R.I.P. Al Feldstein

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Paraphrasing what I wrote on Twitter, Kurtzman was Kurtzman -- and all credit due -- but Feldstein's Mad was what I grew up on, and it was a major, major, major influence on me and a ton of other idiots. And as for the EC Horror Comics -- formulaic? Yeah. Often ripped from other sources? At times, sure. Fun-as-hell, influential, comic book awesomeness? Most definitely. I love these comics, even as I'm aware they're pulp and were often churned out and aren't the highest expression of self-expression known to the medium of comics. That's okay, I don't care, I'll take them.

I met Mr. Feldstein twice. One time was at San Diego, I think it was 2000, the last time I attended. I stood on line to have him sign a book about EC (yes, I get books signed at shows, I'm a fan). The writer of the book pointed out who I was to Feldstein, that I was a cartoonist, as if that mattered. It was kind of him, but I was embarrassed, that's on me, not anyone else. I get embarrassed. Feldstein was gracious as he signed my books and we spoke for a few seconds and I got the heck out of there because there were other fans who wanted their books signed.

The other time I met Feldstein was at a convention in New York. It was at one of the larger Big Apple shows, th National, if I remember correctly, at the Metropolitan Pavillion. Feldstein was a guest and was sitting close to where I was set up in the upstairs artist's alley. On Sunday -- which is often a slow day at shows -- there wasn't much doing and not only was business dead where I was, but also at his table. Which always floors me, when the veterans with decades of experience making influential comics sit at shows with no one in front of their tables. Anyway, I was sitting with cartoonist Christine Norrie, and we were talking, and for whatever reason, I got the idea in my head to go over to Feldstein and blather on about how Mad and EC were a huge influence, blah blah blah, and show him a copy of the most recent issue of Dork, which would show him I wasn't lying -- I was for real a humor cartoonist, influenced by Mad, blah blah blah, whoopie.

The problem was that despite what some folks might think from my work and my on-line writing and any interviews they may have heard done with me, even though I'm an opinionated motormouth I am not super-good at introducing myself to people and speaking to them, especially comics creators whose work I like to the point where I'd stand on an autograph line with one of their books. Christine told me I should go talk to him, and I kept putting it off. Eventually, I did go over. He was very, very nice, and we chatted for a short while. He gave me his card, or his card was out for anyone to take, I don't remember. I still have it, along with other business cards I keep as small mementos of my time in comics. And I gave him a copy of my comic. Which is something I almost never do, and something I immediately regretted, for reasons I won't get into, but let's assume they're all something I work on with my therapist every two weeks and move on. And I blather a bit and blah blah blah "I'm a big fan" and finally go back to my table, feeling like a moron.

And I see Feldstein putting his glasses on, and he starts reading my comic. And I feel like a moron. His face never changes. And I feel like a moron. No one comes by either of our tables, to break up the horrible moment for me. Or him. And after a little while, he comes over to my table, with my comic. And he says a few nice, general things to me about my work and gives me back the comic and there's a few more words and he goes back to his table. And I don't remember exactly what he said because I was flushed and embarrassed and the fact that he gave me the comic back made me feel horrible for some reason. Christine told me I was taking it wrong. And, like, of course, duh, what the hell does he need to keep this ridiculous, foul-mouthed small press funnybook home with him? He wasn't going to throw it out, he gave it back, he was kind, he was nice. I was mortified, I felt like I bothered him.

So, I met Al Feldstein. He seemed like a good guy. I was a fan, and I have a lot of respect for his work and contributions to funnybooks and I guess humor and the entertainment field in general. Most of us could only dream about having that kind of impact (no EC pun intended) on our pop culture, entertainment culture, culture culture. And on specific people. Years after I met him I started freelancing for Mad, a small boy's small dream come true, something that means a lot to me for a lot of reasons, one of which is because I grew up reading Mad, and the guy running the show back then was Al Feldstein. I felt badly when I read that he died, even though 88 isn't a a tragedy by any means and I assume he had a pretty darned decent life. I feel badly because we lost Al Feldstein and he was one of those folks that meant a little something to me personally and I would have gladly given him a few more years to kick around in if I had the choice to make. Like Kirby, like Elder, like a lot of folks who sat in front of drawing tables and pushed the ink around. Because I'm a fan.

ChibiCryptKeeper

Eltingville Blues

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Juggling late pages for Eltingville Club #2 with late supplementary material for the Eltingville Club collection. Late, late, late.

Bill pinup pencils

Eltingville Blues, Continued

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Scanner busted this week, adding to the fun. But here's the inked version of the Bill Dickey pin-up for the hardcover. Which looks like it will also be late, because of my dropping the ball on issue #2. Ugh ugh ugh. This, too, shall pass.

Bill pin inks

One Reason Eltingville #2 Is Late

Heroes Con June 20-22

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We're heading back to Heroes Con in Charlotte, NC this weekend, and as usual we'll be hauling some of our comics, books, art and crafts out there, along with whatever else we toss in a box in the hopes of exchanging it for money over the weekend.

We'll be at table space AA 1116 in Indie Island, bunking nearby Stephanie Buscema's set-up. As usual, there's a huge guest list featuring creators from across the comics board, mainstream, indy, alt, all-ages, vets, newbies, old, young, male, female, etc. I'm excited to be going as a fan because Jaime and Gilbert Hernandez will be there, as will Jeff Smith, and other folks I haven't seen in a while and am looking forward to saying hello to if they're still speaking to me. If I have time I hope to attend the Los Bros spotlight panel.

Speaking of panels, I'm on the humor panel (Saturday, 4:30, Rm 201), pretty much the only kind of panel I'm ever asked to do. I enjoy them, don't get me wrong, but I'm kind of feeling pigeonholed after doing a lot of these and I really don't know what else to say anymore ("Influences...the Direct Market isn't interested in humor even though the general public is and some of the most popular webcomics are humor ones...DC lost its smile...the death of paying anthologies and the rise of the net changed the game...I feel old and outdated and want to die...ha ha ha, blah blah blah), but Tom Spurgeon of the Comics Reporter is moderating so it should work out fine.

We'll have copies of The Eltingville Club #1 and Beasts of Burden: Hunters and Gatherers on hand, as well as a batch of Milk and Cheese hardcovers and a very limited supply of the now-vintage Beasts collection (they're on back order and didn't ship to our LCS on time). We'll also have copies of Sarah's Action Girl copies at $2 a throw (we're out of several issues and the rest are starting to go, fyi) and some HOF crafty jewelry things she's made, as well as Emily's handmade hair clip sets. I think we have a handful of Milk and Cheese buttons left, and I found two hidden-away sets of the old, self-produced '90s M&C beer mugs which we'll be bringing along (one's already been claimed). I have some new pages and pieces in the portfolios, some high ticket (for us, at least), some cheap as chips. Mad illos, M&C pages, an Eltingville two-pager, a Bill and Ted page, Hellboy: Weird Tales pages (DHC is putting a hardcover collection of that series out, fyi), the Urbs/Sims comics I did for the Electronic Arts website a ways back, and some pin-ups and odds and ends. I'll also be doing a limited number of commissions, if no one asks then they'll be severely limited.

Anyway, if you're going and are so inclined, feel free to stop on by, say hi, and give us your money until we cry.

Eltingville #1

Mug Set

Batman Roof

Art For Sale...Possibly Appetizing Old Art For Sale...

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So, we had a really great time at Heroes but did very poorly at the table, and we did terribly at a one-day show the week before that, and we kinda needed to do some business because things aren't so hot right now, so...yeah. Art for sale. To help keep us doggy-paddling through what is going to be a very rough sea this summer. With Eltingville #2 stretched out (my fault), a bum drawing mitt and two shows back-to-back in the red....well, you get the picture. Art for sale.

Up on e-Bay right now we have some Mad illos, a page from Bill and Ted (sniff), a Milk and Cheese pin-up, some production art from the Eltingville pilot (starting cheap, imho) and a two-page complete Eltingville Club story from Dork #6. These are the first Eltingville interior pages I've offered up for sale, so, if that matters to anyone, there you go.

The listings are here.

Elt Bill 1

In the coming weeks we expect to be listing some HOF odds and ends as well as some things we're looking to divest of from our collection. So, watch this space, if you are interested, I'll be updating with whatever we make available.
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